Meanwhile, the monkey suit in GPU Jungle is very frustrating to use outside of the cool swinging action due to the weird timing and its usage of the motion controls. SSD Speedway is the second zone in the game, whose Artefacts cover the PlayStation 2 from 2001 to 2006. This zone’s suit is the Rocket Suit, which you control with the Adaptive Triggers and the SIXAXIS tilt controls. Every review comes from a verified owner of this game or item and is evaluated by a team of moderators. The game is free for all PS5 console users and is designed to be enjoyed by gamers and families alike.
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It differs by having longer handles, concave analog sticks with no rubber coating, a ridge on top of the L2 and R2 buttons, and a green Analog button light. The international version of the controller lacked the dual rumble motors, hence the name difference. Using https://s8vip.center/ meant that developers had much higher storage capacity than with cartridges, allowing for the inclusion of movies (often called FMVs) and higher-quality music. They were also much less expensive to manufacture, making it less of a risk to make a small run of games, bolstering the number of more experimental and niche releases on the system. This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it.
Cross the controller cable bridge to the island with the strong wind, and then a second controller cable bridge. Directly ahead is an Astro Bot in Ape Escape cosplay hiding in a bush. Look over the edge of the island to see a blue aura in the clouds.
Joel is holding a brick, a common weapon and means of distraction in the game. On the right-hand side at the start of GPU Jungle is a lower platform of a Bot dancing in an orange head with blue jorts. This references 1996’s Crash Bandicoot on the PS1, developed by Naughty Dog and often considered the PlayStation’s earliest mascot-type character. The dance is the Crash dance created for Japanese ads of the game (specifically the modified one from the N-Sane Trilogy on PS4), while the mask is Aku Aku, Crash’s protector. When you get to the first silver Bounce Pillow, use it to get on top of the wall, then drop off the other side.
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The use of PSPs however refers to an expanded 2006 PSP port, Monster Hunter Freedom, which was even more popular than the original. After the third and final use of the Hang Glider, on the right you’ll find a Bot in a slingshot, which you can Punch to send flying into some boxes. This references the 2007 game PAIN on PlayStation 3, developed by Idol Minds. It’s notable for becoming the most popular downloadable game on the PlayStation Network at the time. Up the same cliff as the Ico easter egg, on the opposite side you can find a crowd observing a Bot teeing off with a golf club while wearing a PS VR headset. This references Everybody’s Golf VR by Clap Hanz, released in 2019.
It is easy to dismiss Astro’s Playroom as a child’s game, given the artistic design; however, it is more than that and can appeal to a larger audience. While it isn’t necessarily hard, some levels are quite challenging. As Astro, players must clear hordes of enemies by spinning toward them or, in some cases, using a gun to get through. Other ways to defeat enemies are by jumping and hovering above them and hitting them with Astro’s lasers.
Most of them involve collectibles and completing specific parts of the story. Here are Metacritic’s 10 lowest-scoring video games released in 2025. The song “I Am Astro Bot [Playroom Remix],” which repeats the title and plays on the opening menu, is enough to make it a catchy earworm. While it’s not the game’s fault, it makes every exclusive PS5 game feel like it lacks DualSense exclusivity.
Every time I had fun with the game, it always ended in me encountering an area that is simply impossible for me to finish. This includes all the aforementioned key areas of levels with physical mandatory controls, but also some minor elements that appear briefly through the game. Further mandatory physical interaction with the controller includes blowing into the microphone and flicking your finger to launch Astro like a slingshot. Whilst there are serious problems, I personally found these to have a workaround that made them doable. The core quest in Astro’s Playroom is to retrieve the four main artefacts across four different, diverse levels. Each level is split into four key areas, two of which are reliant on a feature of the DualSense, all are mandatory to complete the levels.